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Cheng Tinghua (also known as Cheng Yingfang) () (1848–1900) was a renowned master of Chinese neijia (internal) martial art baguazhang ( bagua).
Cheng had pock marks on his face when he was young and thus he was known as “third son with pock marks” Cheng. Cheng Tinghua was fond of martial arts and in his youth he gained skill at wielding a nearly 4 foot long broadsword and a large heavy staff.
In the late 1800s, two wrestling styles were popular in Beijing, Manchurian/ wrestling and Pao Ting “fast style” wrestling. The Pao Ting style was quicker than the Manchurian style. As soon as the opponent came in contact with the wrestler, he would be thrown, wthout any grappling, struggling, or tussling as seen in Western culture wrestling. This wrestling also combined punching, , and point striking with its throwing techniques.
Cheng Tinghua was an avid wrestler and studied both of the popular wrestling styles when he was a young man in Beijing. He practiced hard and made a name for himself as a wrestler. He was not a big name in the martial arts world yet, however, most martial artists in Beijing knew of him and knew he was skilled at shuaijiao.
When the two first met, Dong asked Cheng to use his shuaijiao against him. Cheng made several attempts at attacking Dong but was never able to even lay a hand on him. Cheng knelt down and asked Dong if he could become his student. At this point, Dong had not accepted many Bagua Zhang students. Although Dong had taught multiple people martial arts in Prince Su's residence, it is said that he had only taught Bagua to three people prior to teaching Cheng Tinghua. The large majority of his students in the palace were said to have learned something other than Bagua from Dong.
If those who say Dong's original tombstone had his students listed in the order in which he taught them are correct, then Cheng was indeed Dong's fourth disciple, as his name appears fourth on the list. The first name listed on this stele is Yin Fu, followed by Ma Wei-Chi, Shih Chi-Tung, and then Cheng Tinghua. The year Cheng met Dong was approximately 1876. Dong died in 1882, so at best Cheng studied with Dong for 5 or 6 years.
Dong Haichuan was known to have only accepted baguazhang students who were already skilled in some other style of martial art. It is said that after laying a bagua foundation with the circle walk practice, single palm change, double palm change, and smooth changing palm, Dong would teach the student baguazhang based on what the student already knew. Taking this information to be true, we can assume that Dong would have taught Cheng using Cheng's knowledge of shuaijiao as a base.
The link between xingyiquan and bagua was most likely forged when Cheng Tinghua and his friends Li Cunyi, Zhang Zhaodong, Liu Dekuan, and Liu Waixiang got together to compare styles and learn from each other (Li Cunyi, Liu Dekuan, and Zhang Zhaodong were all xingyi boxing brothers under the same teacher, Liu Chi-lan. Liu Waixiang was a xingyiquan student of Zhang Zhaodong).
Cheng Tinghua was a very open martial artist who would teach his bagua to anyone who cared to learn it. He enjoyed meeting other to compare styles and share the and theories of martial arts. He also enjoyed sharing his bagua skill with other martial artists. Cheng is said to have been the person responsible for teaching bagua to Liu Dekuan, Li Cunyi, and Zhang Zhaodong, however, since they were very skilled in xingyiquan and thus were Cheng's peers, he did not feel right calling them his “students.” Therefore, Cheng said that they should say they learned their bagua from his teacher, Dong Haichuan.
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